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Being with the Dap-Kings is like being an athlete.
The musicals had a good, happy feeling, saying that the world is a better place. They say it's not reality, but who cares? There's too much reality these days.
We can't negate television. Unfortunately, I do feel in many ways that it did kill my movie career. It did do that. But would I not do it again? Do I have any regrets about doing it? No.
I wanted some family structure and stability, and thats what The Partridge Family afforded me, not only financially but in the fact that I could be at home with my kids.
The vast majority of the coverage had to do with him basically saying, for the first 100 days of my administration, the [Donald] Trump administration, I'd be going after people who ticked me off.
I'm not ashamed that I need glasses for distance. I did not feel like I needed to have all of that hair, which was typical Star Jones, or the extra lashes or the heavy makeup.
I had started losing weight. I mean he didn't know anything about the journey that I was on at that point obviously but from my highest weight of just over 300 pounds I lost about 45 pounds.
There are a number of things that came out of Donald Trump so-called policy speech at Gettysburg that most of the reporters were saying were real positive things.
Not really in all honesty because until you take control of your own health and go to your own doctor and have your own doctor tell you what's going to work for you.
Life's so much easier when you're not always maintaining two worlds: the one formed of lies, which feels real, and the one you live in, which often feels like lies. So easy to get them confused.
The truth is, poverty's the environment for alcoholism, and the reservations aren't rich. Maybe cleaning people up in fiction is just as dangerous as presenting them unfiltered.
Writing, of course, it's not all in your head. Not talking about the 'manual' act of typing here either, but that, when your fiction's really working, your whole body's involved, and then some.
I do love the challenge of screenplays. They're so difficult, such an alien form. It makes them endlessly fascinating. Something I can't keep my fingers out of.
This is form and content and diction and tone and imagination all looking up at the exact same moment: When Molly Tanzer claps once at the front of the classroom.
People say, That which doesn't kill you makes you stronger. But they are wrong. What doesn't kill you doesn't kill you. That's all you get. Sometimes, you just have to hope that's enough.
I like straightforward names for my characters. When I get too symbolic with names or places, I start feeling like the characters and the story are less read, and I lose interest.