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Being rejected is not nice, and it never gets any easier no matter where you are in your career.
I dont get distracted until the weight of other things left undone finally tips the balance; my mind is flooded with calls, bills, supermarkets, letters, and I have to stop and sort things out.
When Im writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids havent left me.
Art is inspiring. Walking into a gallery, or when the lights go up on a stage; that thrill of getting something that has nothing to do with acquisition.
When we're about telling the best possible story, making the best possible book - we're thinking about the reader, rather than about our egos. And then we serve the story. Not the other way 'round.
In a successful picture book, you always want the voice of the text to match the voice of the art; so that it seems as if the same person writing is the one illustrating and vice versa.
My criticism hasn't necessarily been informed by the critics I've read. The conversations I've had with friends and fellow musicians have shaped my thinking more than the work of any critic.
I’m always surprised when writers say they don’t believe in a god or religion but they believe in creating a world on two hundred pages using symbols. We’re all worshiping something.
A book is basically just symbols arranged to form this story, this world. But on the other hand, books, novels, literature in general, is what shows us at our most human.
As for me, I rarely write a song. But when I do write a song, like "Ain't No Chimneys in the Projects," which came to me at three a.m. one morning, on a whim - I get a percentage.
I never took any kind of vocal lessons or teachings of how to - I never even took piano lessons. And a voice just came to me and said, go play the piano in the church.
Not only do I say, get up and get out, I tell the cancer to get up and get out. And if you don't get up and get out, I'm going to shout you out. And I get to shout.
I remember my sister and I - my big sister would get up on her chair in the kitchen and sing Mary Wells' "What's Easy for Two Is So Hard for One." It was 1966, and I was 10 years old.
I'm not planning on singing too late. Maybe another eight or 10 years is enough before I retire. It would also be great to revisit all these stunning places around the world where I have toured.
My goal for these next few years, for the next forever, is to try and keep positive things around me. If somebody is coming at me with negative stuff, just back away from me.
When I got sick this past summer, I couldn't - my mind just wasn't on music. The rest of the band understood. But once October came, I felt ready to get back again.