Eric Fellner Quotes

Technical problems are like gremlins. They come and go.

Making movies is like herding cats.

The writer Richard Curtis is a genius.

I love all my Wrights and it would be impossible to say which one I love more, but if you really pushed me, it would be Joe.

For us in England, the relative value of the pound against the dollar, that has a huge impact on how easy it is to get our films made in the U.K.

Do we have good writers, producers and actors in the U.K.? Yes we do.

The idea that the Tony committee and the New York theater community as a whole have embraced Billy Elliot is very, very exciting.

But in the former, those movie sets that you've been on like that, even if they're huge movies and most of its being spent in special effects afterwards, I think that's the way that we're going.

The UK needs more first class studio space to encourage the growth of the film and TV sector.

So that is new in terms of where I've seen the shifts. Otherwise, it's all about taste and taste just keeps going round and round and round.

Something like small English films were in vogue you had something like The Crying Game and everyone piled into London and wanted to make small English movies.

Oh, IMDB, yeah; there's a few things on there that are TV, they're not film, some things they think we did that we didn't. There's a few inaccuracies in there. It's terrifying though, isn't it?

In terms of putting the cast together, no problems. You know, the only problem always is just price-point. Our ambitions as we get older, all of us, is to try and do more.

That middle ground of films used to be 70, 80, 90, 100; now it's like anything over 20 or under 140, the middle ground has become this huge area where they don't really want to be.

You can't develop a great car and sell it as an independent. You can develop a great car and make a deal with Mercedes.