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I giggled out loud at his stupidity. If anyone knew how to make a bed, it was a faggot.
I don't really do very well when I'm sent somewhere. A lot of magazines want to send you somewhere to do something. They want you to stow away on a ship, or something like that.
The difference between the first time I read something and the tenth time I read something is generally pretty profound. Even if the script is the same, just the way that I read it is different.
The thing of it is though that's the only way people know you, they see you in that roll and they see you in person and they only know the perception of what you are.
I don't think they knew exactly where they were going with the character, but they lay those stories out ahead of time, so they had some idea where they wanted it to go.
I was delighted to have lines when they came - learning lines for film isn't a problem, but television is a little different, because we shot those shows the whole way through.
I think family is very important in West Virginia and has long been so because the mountains made travel difficult in the past, and family members had to depend on each other.
Microsoft, by some accounts, the second most capitalized company on the planet, is the only corporate colossus in history whose entire product line could be eliminated with a giant magnet.
I'm not interested in collage as the refuge of the composition-ally disabled. I'm interested in collage as (to be honest) an evolution beyond narrative.
The beauty of reality-based art - art underwritten by reality hunger - is that it's perfectly situated between life itself and (unattainable) "life as art".
The saying within the writer's room, which were my words of wisdom, if you will, was, "The punishment doesn't have to fit the crime, but there has to be a crime."
Making drawings with text in the first place, it really was born of a desire to be economic, and to do things as simply as possible, and to do as much as I could by the most economic means.
Sometimes commercial galleries ask for particular work to sell, but I try not to be bossed around by them. I didn't become an artist to get bossed around.
I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.
Most of us entered journalism and joined "news organizations" because we care about the greater good. We strive to comfort the afflicted and afflict the comfortable.