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I loved New York. I made enough money and studied acting with Kenneth McMillan, which was my first formal training.
I met my new partner [in Indiana] and she asked if I wanted to move out of New York. I said yeah, and we got a house that's way cheaper than renting a closet in New York.
I just love New York, I love the people. The energy of the place. I really feel energized working here. I've always been made to feel very welcome, and it's a tremendous city.
I don't want to leave New York and leave my family. I don't like the distance. I just did a movie in California and it's kind of excruciating to be away from them so I think there is that sense.
The influence of being in New York, made me realize a lot of the ethical and political ideas I want to push or promote are best articulated within an anarchist program.
Sometimes in New York, you're walking down the street and you realize there's a girl walking in front of you whose thighs you could hit a golf ball through, and maybe that makes you depressed.
"Gender trouble" is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.
It is important that New York, in addition to its fashion, and finance, and tourism, and communications infrastructure, also begin developing venture infrastructure that's for real.
Swag defines an artist, period. Lil Wayne has his super-tattooed pierces and dreads swag. Jay-Z has his New York, grown man, Beyonce and 40/40 Club swag.
The books I read I do enjoy, very much; otherwise I wouldn't read them. Most of them are for review, for the New York Review of Books, and substantial.
I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.
I am always nostalgic being in New York. Every neighborhood represents something to me. I lived here until I was 60 years old or so. So it was my life.
I always had some kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
My goal as an actor was to work - to be a working actor, whether it was in theater, and, well, I didn't even consider film and television when I was in New York, but what came along, came along.
It meant that New York philanthropists, New York society, would now rediscover the library. ... that learning, books, education have glamour, that self-improvement has glamour, that hope has glamour.
New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
I used to live in New York and now I live in L.A., and somehow I've become a different person because of the air and what I see every day, and I think we all do.
I was involved in some of the very first meetings that created the maps that showed what would happen if you had a Category 1, 2 or 3 hurricane in New York.