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I think I was shown Pulp Fiction and Goodfellas at seven or eight. That's really bad. I think I've turned out all right; it didn't harm me too much.
I tend more towards what some people call literary science fiction, but what I mean by that is that it is full of interesting language, experimentation, and ideas.
After writing fiction for so long, I like the discovery element of nonfiction, in the sense that when you find the right information, it feels like gold.
In Quiet Dell, Phillips mesmerizingly spins together fact and fiction, vividly imagining the circumstances leading to their deaths, and sets a young female reporter on the case to solve it.
The trouble with lies was that once started, the fiction had to be continued, and it was hard always to be remembering details that you had made up upon the spur of the moment.
the wrongs of society can be more deeply impressed on a large class of readers in the form of fiction than by essays, sermons, or the facts of science.
I never did write a biography, and I don't exactly know how to set about it; you see I have to be accurate and keep to the facts, a most difficult thing for a writer of fiction.
The problem with the term "The New Fiction" is that the fiction will inevitably be old. The same could have been said about the work of any generation of writers.
[Jack] Kerouac was writing fiction. What he did when he wrote about me...he made me out with Russian Countesses and Swiss accounts and other things I didn't have or didn't happen and so on.
My only obligation as a fiction writer is to the story, to make it good, so good the busy reader doesn't feel that flipping those pages was a waste of time. And I still believe that.
Fiction and poetry expose intimate things from a person's life every bit as much as memoir does, and sometimes more. I don't quite see or live the distinction you are making about the forms.
When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.
In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in.