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I took acting lessons when I was 19, 20, and I had my writing.
It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.
Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are in order. At least spare us their morality when we write.
So I write melodies - thirty, forty, fifty - then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide.
I used to go over to my friend's house and we'd watch VCR tapes, three of them a day, and I was like, "I could come up with better stories than this." And I've wanted to write films ever since.
I just loved storytelling. That's what I thought I would end up doing. I thought I would probably go to school and end up writing for a magazine or something.
I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.
I start with the subject matter I want to write about. Then I make a musical base for that and create an atmosphere with the music. Once I've done that, the lyrics come last.
When I was a boy, my parents were writers and they owned a bookstore, 'The Complete Traveler in New York,' so writing and books have held special places in my heart all my life.
From what I understand about Shakespeare - which isn't a lot - there was no copyright law when he was writing. He sampled at will, and it wasn't seen as a bad thing.
From the reader's point of view, punctuation provides a map for one who must otherwise drive blindly past the by-ways, intersections, and detours of a writer's thought.
Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
I don't claim anything of the work. It is his work. I am like a little pencil in his hand. That is all. He does the thinking. He does the writing. The pencil has nothing to do with it.
Did you ever find that there is room between the two opposing rules of a paradox? That space between two almost opposite rules is the ground where I play and write.
I think in a couple of weeks, the question of all these bad write-offs will be behind us because everybody is going to throw in the towel on bad accounting.
I try to be upbeat. I read this book which tells you to write down everything that you're grateful for each day. Now I'm constantly noticing all the little things that make me joyful.
The new spirituality will bring about what I'm calling the 'end of better.' And that is in fact what is called for in the next of the series of books that I've been writing.
I don't feel I have to write deep and meaningful songs; they can be light and meaningless. It has to do with the place I am in my life, a really good place.
I learned to write by writing. I tended to do anything as long as it felt like an adventure, and to stop when it felt like work, which meant that life did not feel like work.