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I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but for me, at least, there doesn't seem to be any other way to start writing a script.
How I work is that I write a story I'd like to read. Then you fly to Paris or Sydney and the interviewers talk about the greater significance of your work.
My work...is to shatter the faith of men here, there, and everywhere, faith in affirmation, faith in negation, and faith in abstention from faith, and this for the sake of faith in faith itself.
What is writing, no matter how lavish the pieces, if it says nothing of the truth, cares little for the heart, and is merely subservient to the pleasure of showing one's brilliance.
I wake up early in the morning and walk for an hour. If I have something to write, I prefer to write in the morning until midday, and in the afternoon, I eat.
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
To start writing about your life is, from one standpoint, to stop living it. You must avoid adventures today so as to make time for registering those of yesterday.
Because, if one is writing novels today, concentrating on the beauty of the prose is right up there with concentrating on your semi-colons, for wasted effort.
I don't care who you are. When you sit down to write the first page of your screenplay, in your head, you're also writing your Oscar acceptance speech.
No memoirists writes for long without experiencing an unsettling disbelief about the reliability of memory, a hunch that memory is not, after all, just memory.
So I find the fascination, the love, the incredible skill and everything to do with acting, writing plays, and doing them, just darling. Lovely. I love actors.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
Blanche is written with a terrible authority, the authority that comes from artistic necessity when the writer is compelled to write by his demon, rather than by his agent or promoter.
Adam Berenson knows how to compose, organize an ensemble, do musical research, play solo and trio piano, write for musical journals, and enlist others to his cause. A very fine musician.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
Since writing JAWS, I've been lucky enough to do close to forty television shows about wildlife in the oceans, and yes, I have been attacked by sea creatures once in a while.