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I had no idea how many famous people [Andy Cohen] have unintentionally and hilariously insulted of late: Charlie Rose, his cousin Amber Rose, Tori Spelling. . . . the list goes on and on.
I think because I can be sad, and I can be lonely, my gift would be trying to help other people feel less lonely and less sad. Because that's what I understand.
People who are interested with me have for sure gotten older over the years, for example, grandparents are coming up to me telling me they grew up watching me.
A lot of people think that you easily get roles because you do music. I mean, you could knock on the door faster than anybody, but it doesn't necessarily get you in.
I think all the roles I've played really center around either the great conflict or how the great conflict affects the people that I love. I've been cast often as a hard-nosed, hyper-confident guy.
When I go back to any of the mini-series or series that I've done, the heart and soul of the show always centers around how the people that we love are affected by our decisions.
People fascinate the hell out of me. I never get tired of watching people, listening to people. The best part is not getting up in front of people but meeting people.
I went down and spoke to some of the people who lived in the neighborhood in Miami. At the end of the day I think my connection with Tarell [Alvin McCraney] is what helped me the most.
We don't want to just tell [students] who the people are, we don't want to just tell them what happened - we want to show the process by which it formed itself.
It's always a struggle with small films to get people in the theater. I think I have a perverse contrarian streak that's always kind of aspired to make movies that are impossible to market.
I'm not convinced that what are traditionally considered to be male energies or qualities or female energies or qualities really have as much to do with gender as many people think they do.
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.
People talk about the businesses of the future needing to be more agile and more responsive if they are to be successful. But this requires a deep change in the way organisations work.
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
You remove heavy metals out of the ground and you turn that into tables, and houses and bridges and dreams for people in the developing world. I love doing that.