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I'm a Christian. I was born and raised a Catholic. But I think there are people that are frauds that are ministers.
I eat anything, and I'm not preoccupied with my figure. The most important [thing] is that the people accept me for my music, not for physical appearances.
I know a lot of people who are 12 and doing things they shouldnt be doing. Whether youre an actress or a singer, its always the sexier ones that are selling more tickets or selling more albums.
Once you go from 10 people to 100, you already don’t know who everyone is. So at that stage you might as well keep growing, to get the advantages of scale.
People get so attached to a position which they identify themselves with that they just spurt it out, but they can't really give you a viable reason why they feel that way.
The essence of marketing today is to tell a story to people who want to hear it, in a way that resonates with them so they are likely to either respond or connect to you, or tell their friends.
Most people don't see that they have options beyond what society tells them to do. That's the biggest problem. They honestly believe that compliance is the shortcut to success.
I think politicians know how to misrepresent data in order to support a political agenda. Politicians and the people that work for them - I should say - are expert at that.
Our brains are wired to interpret shapes as faces and bodies. That's why people see the Virgin Mary in the clouds or even in cheese sandwiches. It's your cytoplasm, not some strange ectoplasm.
When I enter a club and hear my song being played, I feel like it's not really my song and when I see people dancing to my song, I feel like jumping up on stage and treating them to drinks.
I'd like to do music in the same way - in a witty way. People think of YG artists as rarely appearing on TV but I'd like to make Big Bang fans happy through various mediums.
Certain people just go home and veg out, certain people go travel the world and certain people are like, "Screw this, I'm going to work the entire time."
I think, ultimately, people are looking for real heartfelt true stories. They want to engage with them, they want to relate (to) them and, ultimately, they want to have hope.
My combined experiences, doing different films, has made me very concerned about and interested in how you protect your creative self when the work, by default, is going to be judged by people.
It's interesting that people bring different things to oppressive and difficult situations, when they're reduced to the barest terms of survival. That's what provides tension in a lot of films.
We must have safe places where people can discuss and be treated. Forty-four million people are already dead from AIDS. What logic is there in not discussing the word?
I don't want you to understand the details. To feel how it feels, you just have to be on the ground with the people. That's where photojournalists have a lot of magic.
Love's more than holding hands and going to dances. It's two people who struggle to live, even when they should maybe both be dead. When one of them would be better off dead.
I would hope that people, no matter what age, would find something to identify with in my books, pick one up and experience a personal sense of discovery. That's great. But for them, not for me.
Workplace accidents with people who are sleep deprived or people who work shifts and they don't get the right amount of sleep during the day or at night.
Love was not something that people married for generally in those days. They married for security. They married for economic reasons, you know, companionship - but not love.
You don't love people for what they can give you. You don't love them because of what they do for you or how good you make them look. Love is blind, love does not boast, love is not vain.