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People call me a socialist sometimes. But, no, you gotta meet real socialists. You'll have a sense of what a socialist is.
There are problems that just end up being really hard and by definition the only problems that come to my desk are the ones that nobody else can solve.
The real reason women fall in love abroad is not that they are free of domestic inhibitions but that they translate their love of stone and place into love of flesh. ... Is this true?
To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.
Do you think the Bible is accurate? I mean, do you think it's real?" " I think Pastor Calvin is hot. In a fortysomething way. That pretty much sums up my religious conviction
There are people who've prepared their whole lives for real heavy success and bask in it. They're so good at it and they obviously love it. I'm just happy to be making a record.
Stereotypes abound when there is distance. They are an invention, a pretense that one knows when the steps that would make real knowing possible cannot be taken or are not allowed.
[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it.
I'm really into tall boots. I just got some new ones from Michael Kors that have these little gold studs. I have Valentino ones that I really love. Real, real tall boots!
Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.
You're living life in real time, man, and we' ve got a good amount of work to do for each other. Hiding is not an option and you're going to step out and you're going to make mistakes.
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
And I've always said, 'If two people think the same thing about everything, one of them isn't necessary.' We need to be able to understand that if we're going to make real progress.
Mistrusts sometimes come over one's mind of the justice of God. But let a real misery come again, and to whom do we fly? To whom do we instinctively and immediately look up?
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
I happen to believe that one of the great crises facing the planet is climate change. Donald Trump happens not to think that climate change is real. Hillary Clinton takes it seriously.
A black face, run-down shoes and elbow-out make-up give me a place to hide. The real Bert Williams is crouched deep down inside the coon who sings the songs and tells the stories.
It must not be supposed that the subjective elements are any less 'real' than the objective elements; they are only less important... because they do not point to anything beyond ourselves.
I believe that children are, by nature, very forgiving. I don't think children expect their parents to be perfect. I think they demand that their parents be real.
Raw, real human conversation can be the most direct path to greater awareness and stronger relationships, even when it's unrehearsed and clumsy-perhaps especially when it's unrehearsed and clumsy!