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Seventy percent of a first draft is garbage and 30 percent is gold, but you have to write 100 percent to get that 30.
I feel so fortunate to get paid to be an actor. I pinch myself. I get it from writing, I get it from baking, gardening... I sort of open myself to the creative flow, which is hard to do, by the way.
Writing a memoir isn't particularly interesting to me. I'm not like Ellen [DeGeneres], where I can write, 'Water bottles--they're crazy!' and it's funny.
I like writing dialogue - I can hear my characters so clearly that writing dialogue often feels as much like transcribing something as it does like creating it.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.
It's wonderful that nothing you write is ever going to be as beautiful as what's in your head, because that gap is where the art can enter and begin to stretch its limbs.
In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
The best songs that I write usually come in, like, two minutes, and I think a lot of songwriters would probably say those kind of songs that come just like that are the good ones.
The walls are covered -crammed- with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface. Love.
Make your novel readable. Make it easy to read, pleasant to read. This doesn't mean flowery passages, ambitious flights of pyrotechnic verbiage; it means strong, simple, natural sentences.
I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.
All of us ambitious young writers hoped to have a cover story in Esquire, of course. The idea was to write the best, most entertaining article that you can.
I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.
I've realized that with each novel I seem to set out a kind of puzzle for myself. And I am never sure in the process of writing a first draft how it's all going to turn out.
I watch some kids ask the cafeteria ladies to sign their books. What do they write: "Hope your chicken patties never bleed?" Or, maybe, "May your Jell-O always wiggle?
Writing involves an acceptance of being on the margin, the threshold, a galvanization out of received notions into a more activated, kinetic, often perilous, seeing.