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It was like there was a pile of kindling that was in the back of my imagination just waiting there. Once I lit it, it just flared up and I kept getting ideas and ideas.
I didn't write poems for a number of years after graduate school because the criticisms of other students in the workshops wouldn't quiet down in my mind when I tried to work.
I was thinking what I usually think about when I write: what the next word should be, whether my character should be an emu farmer or a wallaby farmer, the searing pain in my right temple.
I write all the time, and I write a lot of songs, but before I started putting out records those songs always just ended up on stuff that I did with The Babies.
[Calvin Trilllin] is not writing about things that I can criticize. I can call these other people out for what I think they are not doing. There's a big difference.
I talked to [Larry] Kramer a little bit about it while I was writing 'Remembering Denny' . Denny was one of those people who took a long time to come out.
I was raped. That was a hard thing to write about. I never owned that part of it. Guys don't look at themselves as being raped. We're not raised that way.
The Irish didn't read and write for a couple of thousand years, and I think we developed good memories and recall. We have a sense of the revelatory detail. I look for them.
Even after The Kite Runner was published I continued to practice for another eighteen months. But I had always had a love of writing and a compulsion to do it.
I'm accountable - this sounds emo - to black American writing, Southern writing, Southern black American writing, American writing and my people. That's kind of what keeps me accountable.
Writing is always a process of discovery—I never know the end, or even the events on the next page, until they happen. There’s a constant interplay between the imagining and shaping of the story.
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
My experiences always influence my writing, but usually only on an emotional level. I have experienced death of a family member and it's easy to dredge up those feelings and get them on the page.
If I try to write a song, I will completely fail to write a song. But if I'm just holding my guitar and I just start humming, then I'll have a song in an hour.
I started teaching myself guitar because I loved singing so much. Then one day kind of out of the blue I found I was writing a song. It just happened organically.
[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.