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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
I like to write about things that are dark or twisted. Where the poetry seems to be is when you start in the dark and reach for the light - that's what makes it not depressing to me.
If I wrote what I really think, I would be so sad all the time. We create to fill a gap - not just to avoid the idea of dying, it's to fill some particular gap in ourselves.
You go to movies to see people you love suffer - that's why you go to the movies. You don't go to see a movie about a guy who already knows he has a wonderful life.
Writers when they're writing live in a spooky, clamorous silence, a state somewhat like the advanced stages of prayer but without prayer's calming benefits.
When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
When I'm really involved or getting towards the end of a novel, I can write for up to ten hours a day. At those times, it's as though I'm writing a letter to someone I'm desperately in love with.
I rarely write in my own voice except in book reviews and memoirs; otherwise, I am writing in mediated voices, modulated in terms of the characters whom the voices express.
the art of reading hardly differs from the art of writing, in that its most intense pleasures and pains must remains private, and cannot be communicated to others.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.