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Authorship of any sort is a fantastic indulgence of the ego.
We shall have a race of men who are strong on telemetry and space communications but who cannot read anything but a blueprint or write anything but a computer program.
For me, anything I do is totally up for conversation and it's not my right to be able to stop a person from writing whatever they want. What's harmful and hurtful is when people speculate.
I guess we all have some sort of Rubicon that we haven't crossed in our lives and we've thought about for who knows how long. And for me, it's writing.
When I write, I don't really focus on duets or anything like that, or whether I'm going to feature this or that rapper. I just focus on just making a great song and figure out the rest later.
Music business is hard. It's very difficult. And it's not for everyone. Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin.
Paul (McCartney) and I made a deal when we were 15. There was never a legal deal between us, just a deal we made when we decided to write together that we put both our names on it, no matter what.
I started being me about the songs, not writing objectively, but subjectively. I think it was Dylan who helped me realize that - not by any discussion or anything, but by hearing his work.
I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
Periods of inactivity, I don't know such things. I'm consistently writing. My life is busy. It always is. There are hardly any moments for self-indulgent laziness.
There are readers who want every point to be clearly and unambiguously set forth, and there are those who want to pry ideas and meanings out for themselves.
I suppose . . . in writing you can't have regrets. I mean, you just get it down the way it was . . . it's only wishful thinking that things could be other than they were.
At some point, you have to sit down and face the page alone. At some point, the final decisions need to be yours. At some point, you have to give yourself deadlines and stick to them.
Over the last 25 years, since a lot of science writing became accessible to layman, I've become quite a consumer of science. As a child, I wasn't streamed into science, and I regret that now.
I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.