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If you just sit there, and you're a writer, you're bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals.
The thing about writing in America is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it's the wrong thing. It's not a profession.
I think the crucial thing in the writing career is to find what you want to do and how you fit in. What somebody else does is of no concern whatever except as an interesting variation.
If a young aspirant had a modicum of skill and a busy typewriter she or he would sooner or later get a foothold in one of the magazines and a leaping start on the ladder upward.
I'll do what little I can in writing. Only it will be very little. I'm not capable of it; and if I were, you would not go near it at all. For if you did, you would hardly bear to live
When I'm most deeply involved in my writing, sometimes I do dream about poetry, and occasionally I wake up from a dream with a phrase that I like well enough to put it in a poem.
I often write from memory by walking around and talking to myself. Even when I'm working at a computer I write out loud, so that I can hear the poem's rhythm.
I don't know how to write without thinking what people would want. You don't know whether they want you to be black or white, so you kind of get a gray, something in the middle.
Some few there must be in every age and every land of whom life claims nothing very insistently save that they write perfectly of beautiful happenings.
To practice - write each and every day if possible - then try to attend professional writer's conferences where you can learn your craft, get to know fellow writers, and meet editors and agents.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.
There is no objection to the proposal: in order to learn to be a poet, I shall try to write a sonnet. But the thing you must try to write, when you do so, is a real sonnet, and not a practice sonnet.
If I was gonna write a book that was true, and I was gonna write a book that was honest, then I was gonna have to write about myself in very, very negative ways.
I try to write books that are different from the books I've already written. I think one of the thing I really try to do is reinvent how a novel can be written.
I just think its the changes that age brings. You slow down a little bit ... the writers are smart enough to write all those changes that life gives you.
Because in fact I only lived to write, see no sense in life, have only forced "interests," wish every night, not urgently but quite definitely I could just not wake up tomorrow.