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The power of fictitious writing, for good as well as evil is a thing which ought most seriously to be reflected on. No one can fail to see that in our day it is becoming a very great agency.
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.
[Jimmy] Breslin's [write] really great book on Branch Rickey. And Branch Rickey himself wrote quite a lot. There's some film and kinescope from television.
I personally believe that the writing of personal and family histories will do more to turn the hearts of the children to the fathers and the fathers to children than almost anything we can do
Stories lie deep in our souls. Stories lie so deep at the bottom of our hearts that they can bring people together on the deepest level. When I write a novel, I go into such depths.
Mere humans who root through their refrigerators at three o'clock in the morning can only produce writing that matches what they do. And that includes me.
I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.
I just wanted to write something about running, but I realized that to write about my running is to write about my writing. It's a parallel thing in me.
I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
Writing talent is similar to the art of chatting up a girl. You can improve to a certain degree through practice, but basically you are either born with it or you aren't.
You could be anybody when you're writing. That's the reason that I'm writing: to be anybody. You can put your feet in various shoes and experience anything.
I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.
Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is.
When I write a novel I put into play all the information inside me. It might be Japanese information or it might be Western; I don't draw a distinction between the two.
I have to work really hard, eight shows a week, to get a nice check as an actor. But when I write a play, and it's a - knock wood - hit, the checks come in for many years.
I'm not much interested in prizes, whether from the Arab world or from the Western world. Writing is a very difficult process and I want to continue my work.