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If I ever write a book on "How True Is the Bible?" I'll have to start out by saying that archaeology is not the way to find out; that it has very little to say.
Scarlatti [Kirkpatrick] started writing sonatas when he was 66 and the idea that he ran off 500 or so after he was 66 was just too much for me to resist. It's just great.
I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Nobody can write such ironic things unless he has a deep sense of injustice-injustice to those members of the race who are victims of the stupid, the pretentious and the hypocritical.
After I published my first book, my sister, known as Kali Willows, began writing. She fell as in love with it as I did. She has a number of short stories.
You need to work at the craft of songwriting, but not only the craft. When I see people working both on themselves and the craft, and they combine those things...I just go, That's just fabulous.
If you mean do I use the guitar when I'm sitting at home writing stuff, then basically no, never. All I would ever write would be stuff that my fingers easily fall into.
When you are writing a character, what the character says is obviously crucial. But what the character doesn't say is absolutely as important as his words.
I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors.
He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read.
I was left with myself and had to do the one thing I could to survive. I knew it would be difficult to write, very difficult, but I set about doing it.
I find it very hard to say yes or no quite openly, because people are never satisfied. One day they write us off as saying we're not together and the next day we're together and getting married.
I spent several years in the film finance business, but I returned to what I loved most about the industry - actual filmmaking, producing, writing and directing.
Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
A question I’ve thought about a great deal is why it is so much easier to write about the things we dislike/hate/acknowledge to be flawed than the things we love.
I always knew when I graduated from high school I’d go to college. I never thought about what I was walking away from . . . I just wanted to study literature and writing.