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I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
I write mostly in my office in the shed outside at home, but it can get very cold. I write best on the train, among people. As a writer you spend so much time away from people.
If you write in the paper 'Lee stinks,' that's not going to affect me. I'll just laugh. And if you write 'Derrek Lee is the best player in the league,' that won't affect me either. I'll laugh.
I write on sacred stories, symbols and rituals of all cultures - European, American and Chinese - but my audiences, typically, like me to focus on India.
The stuff I write isn't strictly autobiographical, but it's personal, if that makes any sense. It draws all these little incidents and people out of my life and then contorts them.
The fact is, when I wrote 'Juno' - and I think this is part of its charm and appeal - I didn't know how to write a movie. And I also had no idea it was going to get made!
I actually have two children now, and sometimes I wonder if that's it. Because they do make writing and directing more complicated and more difficult, especially now that they're very young.
People assume that science is a very cold sort of profession, whereas writing novels is a warm and fuzzy intuitive thing. But in fact, they are not at all different.
You never forget where you were when you write a song; it's a very proper memory, so I knew exactly where I was and what I was doing for each track. It was like going into a time machine.
Personally, its a comfort and happiness to know that my work is taken seriously and is not marginalised and put in a box of ethnic immigrant writing in America.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot, and try to put their voices into their character.
The name [Spooky] comes from well back in university I was doing a series of essays and writing about Sigmund Freud's idea of the uncanny and I was really intrigued by this idea of "The Unheimlich".
When the new country came out ten to 15 years ago, people my age were almost too old. But it never stopped me. I never stopped writing. I never stopped recording.
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
I write a little something every day, even though I don't write a song [every day]. Everything inspires me. I'll come up with a line, or somebody will say something that will trigger something.
Music lives in me. Life is a song to me. I have the gift of rhyme, and I'm always trying to write and rhyme. Music is just natural everyday occurrence with me.