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A Train was born without any effort - if was like writing a letter to a friend.
When I write a song, I see a tunnel, and then the chorus is an open space, or the bassline is doing this shape. I see songs as a more of a geometric, spacial experience.
It was 22 years of work in a row, right up until 1987. Twenty-two years in a row-either on tour, writing an album, or recording an album. It wasn't until 1987 that I was able to take a breath.
So remember these two things: you are talented and you are original. Be sure of that. I say this because self-trust is one of the very most important things in writing.
When we commit ourselves to writing for some part of each day, we are happier, more enlightened, alive, light-hearted and generous to everyone else. Even our health improves.
The writing and making of each of my albums has been such a different beast each time, so I'm interested in seeing what kind of animal the fourth one turns out to be!
People can hear my songs are coming from something real. I mean what I say; I'm not just writing to impress critics or young girls, or older girls. The way I talk is the way I write a song.
Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I for one must get it out.
Anyone involved with songwriting will testify to the fact that each song, no matter how pure or from the heart, has its own story, its own peculiar way of getting written.
Mexico is a very complex, mysterious country. I will never understand it fully, and that's why I write so much about it, in order to try to understand it.
Write," he said. "I'll write to you as soon as I get there," answered Julian. "No. Not to me. Write books. Not letters. Write them for me, for Penelope.
One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.
Well I've been writing books. So that, by its nature, is kind of a solitary occupation. And from time to time I have research help, but mostly I've done those completely on my own.
I'm writing the book to a children's musical. I got a note from the producers saying, "Can't you make it campier?" So now, I'm trying to determine the camp sensibility of the average eight year old.
Unless I'm writing in the Igbo language, I use a language developed elsewhere, which is English. That affects the way I write. It even affects to some extent the stories I write.
If someone said, I want to translate your novel into Igbo, I would say, Go ahead. But when I write in the Igbo language, I write my own dialect. I write some poetry in that dialect.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.