Visuals Quotes

Visuals Quote of the day

Visual pollution is more poisonous than any other pollution because it kills the soul.

Where I come from, gettin visual is habitual...

Think about how you will start and where you will go. Get the head with logic and the heart with visuals or stories. And think about your core customer and all the other stakeholders as well.

More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.

The only purpose of the visuals, in any film, is to serve the story.

For me, photography must be visual, rather than intellectual and ideological.

I wanted to do something really visual and photogenic.

For me the visual is just as important as the music.

I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.

For me, visuals are as important as the music. I just love escapism and giving people something to escape to. To me, that's what art is.

Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.

I'm personally more struck by visual things more than musical.

I see myself as a recorder of history, sort of a visual historian.

What is it about the English countryside — why is the beauty so much more than visual? Why does it touch one so?

Visuals are as artistic as sounds, so being serious about both isn't a contradiction to me.

Racism is a visual pathology.

I hope to do a visual for every 
single thing, even if it’s as small as a gif or as big as a whole dance music film.

The lies are in the dialogue, the truth is in the visuals.

Every act is a visual judgement.

The best way way to get a visual image is not to think of a visual image.

The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.

I love visual gags and gimmicks; I love them.

I have learned the art of filling in your lines with your visuals and your movies and your imagination

If I don't see a music video to it while writing it, I just scrap it immediately. It's very visual.

The thrill of doing visual effects doesn't exist.

Let's find visual excitement in what nature has to offer.

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.

My entire learning process is slow, because I have no visual memory.

I loved all those Doris Day visuals of her being a tomboy and then changing into this gorgeous girl in a ballgown.

A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.

A visual sense is something you either have or you don't.

The popular eye is not untrained; it is only wrongly trained - trained by inferior and insincere visual representations.

I'm interested in concrete poems - anything that complicates the line between the written and the visual.

It's interesting vocalizing something that is visual.

I was an artistic dilettante for a while, in photography and collage and the visual arts.

The most inspiring objects are books. I have about 5,000 volumes in my home library. It's an unending source of visuals and ideas.

With the search for the Higgs, we're involved with 5% of the visual universe, and now we have 95% of the invisible universe that's coming into view. That's amazing.

Everything for me is visual. That's just how my head works.

I have always been a very visual person and a keen observer.

We are limited by our visual, physical senses; yet from the Scriptures we can readily conclude that heaven is indeed not distant at all. It is nearby.

I've always written songs with a visual counterpart in my mind that no one else can see.

I've always been very interested in the visual aspect of what I do.

I'd always want to decorate my bedroom. I needed visuals and to be stimulated by things. I'm still like that. It's the way I see the world.

After I script the movie, I have to storyboard it out, I have to budget it, and I have to understand if I can afford all those visual effects or not.

I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach.

I consider myself more of a visual comedian than a physical one.

I'm super interested in visual, and I love that being in a band can be as much about making an image as it is about making a sound.

Network television is all talk. I think there should be visuals on a show, some sense of mystery to it, connections that don't add up.

My exposure to visual art all my life was intensive.