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It seems disingenuous to ask a writer why she, or he, is writing about a violent subject when the world and history are filled with violence.
Every law, every constitution, every regulative decision is based upon what people are discussing in their community. It's based upon our sum knowledge of history and the present.
I don't feel proprietorial about the problems of philosophy. History has taught us that many philosophical issues can grow up, leave home and live elsewhere.
History isn't the lies of the victors, as I once glibly assured Old Joe Hunt; I know that now. It's more the memories of the survivors, most of whom are neither victorious or defeated.
Our search for certainty rests in our attempts at understanding the history of all individual selves and all civilizations. Beyond that, there is only awe.
Based on history the expectations are simply the highest, it kind of could become a burden for you or it could be something that you are really proud of, you know so I take the second one.
People who like to fume about the manner in which Disney changed beloved classics are often ignorant of history, not to mention the realities of show business.
Whatever conclusions we reach about the reality of God, the history of this idea must tell us something important about the human mind and the nature of our aspiration.
At this point of time in history, I don't think that women in any work force that's a male-dominated work force have the same rules to play or live by as men do.
I just think the David O. Selznick story is one of the great, epic stories of Hollywood history that nobody knows. Maybe one of the reasons why nobody knows it is because he wasn't a movie star.
The music in the movie [Everybody Loves Somebody] is very much hand-picked specifically because it's our history and our traditions. The themes are universal.
History is an orphan. It can speak, but cannot hear. It can give, but cannot take. Its wounds and tragedies can be read and known, but cannot be avoided or cured.