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If I was gonna write a book that was true, and I was gonna write a book that was honest, then I was gonna have to write about myself in very, very negative ways.
The point of what I do is that it doesn't really matter what a book or a story is as long it moves you, informs you, challenges you, entertains you, or changes you.
I try to write books that are different from the books I've already written. I think one of the thing I really try to do is reinvent how a novel can be written.
Coming after all the bullshit related to A Million Little Pieces, nobody was expecting anything from me. No publisher, no agent, no one. Just me and the book. It was great.
I'm not big on reading business books. I get copies of all of them, because people want me to put a comment on the jacket. Every once in a while, I'll get interested and read one all the way through.
When you are getting on in years (but not ill, of course), you get very sleepy at times, and the hours seem to pass like lazy cattle moving across a landscape.
In a small cathedral town where changes are few, there are always people who remember who used to live in a particular house, what happened to them there and afterwards, and so on.
My books arose from my own experience, when I sought guidance in practical leadership in my career. In sum, I strive to write the kind of book that I would find valuable in my own life.
I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.
None of my books are best-sellers. In fact, the only thing that's kept me alive is the books that are in paperback. People find them, they like them, and they pass them on.
It is quite too common a practice, both in readers and the more superficial class of critics, to judge a book by what it is not, a matter much easier to determine than what it is.
If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.
I just think structure can make a book feel so much bigger. It's the architecture. You could use flimsy materials if you wanted to, even, but it could still feel big.
Most books about Stanley Kubrick were written by people who never met him and gathered information from articles written by others who didn't know him either.