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Fashion brings out what you are inside. A lot of people think it's got to be blue jeans, a Black coat, three inch heels. But it doesn't have to be like that. I enjoy just going for it
I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.
I think anything that opens my mind and triggers my imagination I'm reading. I like to read science fiction and imagine the character. Anything that keeps my imagination flowing.
I'm always curious about what happens when we die. And I'd like to think that somehow the spirit goes on. I'd rather not think that it's just about this.
The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life.
I got a little tired of movies where I had to shoot people. I got to thinking about the power of film and what that power is. The power is in fact that it really can change people's minds.
I really think it's important that my beliefs don't impinge upon what you get from the movie. It's your opinion that matters and it's far more interesting than mine.
I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.
I think what we're talking about is a sense of fashion as laboratory work. I mean, we are not scientific, of course, but we are looking for ideas all the time.
That's what I think when people do their "best stuff" collection. When you start to think, "Oh, I will just present my 10 years of work," that's not a good sign.
That's the paradox. Since we can spend as long as we want, we worked so much faster than we used to. I think that when you don't have the pressure anymore, the ideas come faster.
In life, we all learn from everyone. But if you like and admire someone tremendously, perhaps because they think the way you do, or like the way you think, then inevitably you do.
I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of intimacy that you create. Because it becomes very intimate.
I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."
Once there are more African Americans and Asian Americans behind the scenes as producers, writers, and directors, I think more inclusive casting will happen.
I think that divorce is hard for anyone. It's a nightmare - it just is - and you can pretend you're fine. And [there are] days you're great [and] days you're not great.
I think you put art out into the world, and sometimes it's divisive, sometimes it's embraced. Sometimes people cry, laugh or have complicated reactions.
As an actor you don't control the end result. Because you're a director, you get to control the end result. I think for us, we really have to show up and participate and give. And then let go.
I do realize that the reader needs some form of resolution. Sometimes I think of it almost like writing a musical score where things have to harmonize and certain lines have to come to a close.
What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.