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He shook his head in mock sympathy. "I tell you, Sage. Sometimes I think I am the one who needs to take out the restraining order on you.
Adrian suddenly made an abrupt turn onto a side street we'd nearly driven past. I jerked upright as he clipped the curb. "What are you doing? Think about your tires!
Dimitri: "Don't look at me like that." Rose: "Like what?" Dimitri: "You've got this look on your face that says you think I'm delusional, but you're too nice to say anything.
I like to think traditional narrative can be subverted by an experiential narrative, by an immersion in the temporal event of the film and a a play with our expectations of that.
I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence.
I don't think I'm a natural novelist. Plot is definitely one of my weaker points. I've been working on it a long time, and it's not getting much better.
The pressures, I don't really like to think about the pressures, I like to solve them, you know what I mean. I could sit here and complain about pressures but nobody wants to hear about pressures.
I think I am like everyone else in the music business these days - you have to adjust to the times and deliver whatever people want, and are using to consume the music.
I think the people are just looking for freedom in music...There's a lot of she-bop she-bop going on out there. Maybe they're tired of that same old thing.
I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
I am a better writer for having fewer demons, and I am more curious about the world and the people in it. So those of you thinking you might need your demons in order to be creative: I beg to differ.
I don't think I've ever had a plan or direction for myself. I've actually made decisions based more on what I didn't want to do than what I wanted to do.
And we had the perhaps unfair advantage of not having to worry about what an audience was gonna think. We were in a vacuum. We were making little short films, really.
I think you need to have a tax system that basically is flat, fair and simple. And - that you can put on a post card. I mean, even Timothy Geithner could do this one and get it on time.
I don't think Obama understands basic economics. Not economics that work. He may understand some theory that someone in Princeton sat and dreamed up, but it's not working.
The economy is very different in the world that we're living in. And I think Americans are looking for executive leadership that actually has some experience of creating jobs.
I think that people who don't mind reading find the immersion and their ability to get into a deeper place with the story to be satisfying. That's the kind of reader I want.
He [Death] pulled a pure-black iPad from thin air. Death tapped the screen a few times and all Frank could think was: Please don't let there be an app for reading souls
I stepped forward. Call me old-fashioned, but I wanted to keep his focus on me and not Annabeth. I think it’s polite for a guy to protect his girlfriend from instant incineration.
I hate it when people let me down, when things are temporary. I think that's why I want to be an architect." "To build something permanent," I said. "A monument to last a thousand years.