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Whenever I feel sad, I just take out my phone and listen to her laughter recorded in my online messenger.
Today I will find something beautiful.Delicate pink blossoms on a cherry tree.The dove resting near the lemon buds.Sunbeams smiling from sky to earth.Smiling on me."Creating" in BREATHE IN
I was always observing. Even while talking, living, going through every motion, I was watching myself and the situation. That's a writer. Always observing.
The author is impacted by a hidden insistence that takes the shape of different combinations each time adifferent text is produced but the underlying problem remains the same for him.
The writer and his reader are both complicit in the act of storytelling. The writer must first leave a part of his soul on the page, like a contagion, which the reader then catches.
To air one's views gratuitously, however, is to imply that the demand for them is brisk, which may not be the case, and which, in any event, may not be relevant to the discussion.
The structured form of an outline helps us to keep track of all plot lines in a series, and of course, this diminishes the chance of plot holes for us.
Creating a novel means moving into the past, the hoped for, the imagined. It is an emotional journey, fraught at times with characters who don't always do or say what a writer wishes.
Even at the moment when the last page is turned, a great part of the book, its finer detail, is already vague and doubtful. A little later, after a few days or months, how much is really left of it?
We humans are the only creatures on the planet capable of articulating worlds which are contrary, even in the most minor way, to reality. Every story, I think, begins there. With a dream. A fantasy.
To write is to transform that inward gaze into words, to study the worlds into which we pass when we retire into ourselves, and to do so with patience, obstinacy, and joy.
Begin at the beginning as you understood it, proceed through the middle, continue to the end, and then stop, " said Master Li, and he sauntered out to get drunk....
There are three difficulties in authorship: – to write anything worth publishing - to find honest men to publish it - and to get sensible men to read it. — Caleb C. Colton [1780-1832]
Rather than feeling that every moment you’ve got to exert this enormous control, you can take the attitude that your job as a writer is not to control everything, but to set things in motion.
Writers know all the good reasons for subjecting their work to a sharp trim. Early drafts are notorious for repetition, indirection and overdevelopment of the trivial.