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I think we'd all hate to be the one who gets declared undateable by one's entire grad-school population based on a couple of told and retold stories.
What marks a writer is this: until she - or he, of course - writes down whatever happened, turns it into a story, it hasn't really happened, it hasn't shape, form, reality.
That something extra, I believe, is a certain humanity that comes from upbeat and positive human interest letters and success stories. Advertisers like to be associated with those qualities.
Well, why did you kill Jeremiah? And don't bother feeding me some story about how you just happened to wander along after he spontaneously died. I know you did this.
We are all impacted by the failings of a news media that almost always chooses which stories to cover according to the priorities and perspectives of white men with private educations.
…everything has a narrative, really, and if you can’t understand a story and relate to it, figure out how you fit inside it, you’re not really alive at all.
It's not about finding Mr Right, or that sort of conventional ending, but I do want my characters to have hope - and that's what I do with all my stories.
People tell stories and it's up to those who listen whether to believe or not." "Shouldn't the storyteller believe it." "The storyteller should tell it.
I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me.
Who doesn't want to be loved? That's the whole point. So, when you can get that from someone across the globe, for just telling a story, that's a special thing.
I don't know what makes a good feature story. I've always assumed that if it was a story that interested or amused me, that it would have the same impact on other people.
I firmly believe as an author you have to go out in life and hear the stories of people. In pubs in the UK or a retirement home in the US it is the stories of others that bring a book to life.
I mean, sometimes we do do that, The National Anthem was a caustic satire and sometimes that's the way to go with the story rather than me being particularly misanthropic.
He knew one thing for sure, though. Whatever happened, Matt would have some handy excuse. He'd make up some story or change an old one, find some dumb quote to explain it all.
If you're a writer, you don't serve genres. Genres serve you. Like, if you're writing a science fiction story set on a spaceship, you don't have to have someone thrown out an airlock.
I think that people create the world that they live in. Your existence is very subjective, and you tell stories and organize the world outside of you into these stories to help you understand it.
I think since I did Monster I really started understanding how hard it is for first time directors. I think there's a lot of great stories out there, but it's high risk.
Often when people tell their story, they talk about their strengths and resiliency. It's really about their determination and their aspiration to survive and live.