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One of the things that turns me on the most is imagining new worlds, just as I did as a kid, when I listened to fairy stories and imagined what they looked like and what those worlds were like.
It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
A good story's like a door, and you can go through it whenever you need to. After you've read it or seen it or heard it, you can still go back through it. Once it's yours, it's always yours.
For over a year I continued to submit mss, and have them rejected - the last few with rejection letters indicated the story was pretty good, but I was American.
Eventually, I came to believe, stupidly, that I had exhausted that story's "original" form with its single use. I went on to other stories, other forms and genres.
It may be old hat, but I see no reason to close off what is for me a fruitful subject of inquiry, especially so for one, like me, who is very much interested in creating stories and novels of ideas.
The persona in my stories may be truer to my "real" self than any alleged objective, factual "I" that I could replicate for the purposes of storytelling.
I'm a pantser. I try to plot. I always try to plot. I end up with a few paragraphs that basically outline the gist of the story.But I never get much beyond that. I get too impatient to write.
I do try to plot about a chapter ahead once I get going. I have a list of upcoming scenes with little notes about them. But sometimes the story changes and I don't end up following that.
I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.
The work of a psychotherapist involves being empathic and insightful with one's patients without getting too lost in their painful stories to be helpful.
Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.
All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
You can hear how hard I work, I think, from these stories I'm telling. I'm incredibly dedicated and I'm sort of known as that to a point that people tease me about it.
The key is to work with people who are passionate about storytelling and who have a similar sensibility of the type and nature of the stories that you want to tell.
I always wanted to tell stories. From the time I had 20 cents or a quarter in my pocket, I could peddle my old Rambler 500 down to the corner store and buy comic books.
I'm not implying that fantasy is for kids. I'm saying that more and more people are finally realizing that there's more to fantasy stories than elves and wizards and goblin armies.