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I have way too many songs that have music but don't have lyrics.
'Battlefield' was one of those slow-building songs, the way 'Tattoo' was. It was kind of a word-of-mouth hit. The more people heard it, the more they started requesting it on the radio.
[Billie Holiday] was keeping it super real, and you can feel that to this day. Everything that she sang, she believed in. So I had to pick songs that I felt the same about.
It's hard to convince people when you haven't done anything that the things you're working on are worthy of spending their time and money on: like, "Oh man, I write really great songs, I promise!"
I remember those days right after I graduated from college. All I had to do was wake up in the morning and think about writing songs. It's not like that anymore, needless to say.
The music as a whole is selfish, but the musicians aren't," "The song may go on forever but it's not about competition within the band; it's about playing as a band.
I want my songs to be heard by everyone. I want [everyone] to treat people with compassion. I want them to realize that we are all so similar, but we focus so much on our differences.
I'm a producer first, and I know music, so I can jump on any song, whether it's pop or urban, without changing me. Whatever I do, I'm gonna make it classic.
As a musician, you write and make music as you go. It's definitely in a great sequence. When you release songs, you think, "Let me make sure this goes with this so it's like a story."
I just sat down and thought, I'm going to write a song today, I'm going to give it a try. So I just stuck it on a tape like everything else. That was just another song.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
Eat of my deep earth, drink of my living streams, for I am your Mother. Your heart is my wild drum, your breath my eternal song. If you would live, dance with me!
I have much clearer memories of my time in Egypt: songs on the radio, the rhythms that accompanied belly dancers, the sound of the adhan - the Muslim call to prayer. I just soaked it all up.
It's not that I write songs that are easy to get but I don't think there's a lesson that I'm trying to teach in any of my songs. There's not a moral at the end of it.
I want to create something that you haven't heard lyrically before. It's part of my job, and even though some of my songs are love songs, I tend to talk about love in different ways.
I heard Nirvana, and discovered that songs could be like poetry, but a little bit more refined: you didn't have to have 20 verses to get your point across.
Some songs, some nights won't do anything for you, but people enjoy them and that's the job. The magic is finding those places to stand in the song and gain perspective.
I wrote my first song when I was nine, and it was called 'Notice Me'. My Mom still has the piece of paper around somewhere, but I can't even imagine how terrible it is.