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I wanted to be a singer. I wanted to be a musician. I wanted to travel and write songs and be a good songwriter. It came to me slowly after college.
I come from a place of sincerity. I write about what I see and feel. I write about what I want, I don't have a political agenda. Politics may enter into a song but it always comes from the heart.
There came a moment in the middle of the song when he suddenly felt every heartbeat in the room & after that he never forgot that he was part of something much bigger
At the party, Rob Partridge said to me, "You gave hope to other balding men." My new epitaph: "Co-wrote a couple of decent songs and went bald shamelessly."
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
I listen to all kinds of songs. There's something to be learned from every type of music and from the one making it, whether it's pop or jazz or hip-hop.
I love metal songs about metal. That's one of my favorite things. Nobody does that any more. Nobody sings about how metal they are, or about their fans, or about how crazy their pits are.
I have enjoyed writing songs for so long... it felt like in order to make music that I could relate to myself, I would have to be a part of the writing process.
I only write about stuff I know. I don't have a lot of experience with boys and stuff so I write a lot of songs about interesting and strange subjects that people wouldn't write songs about.
I tend to work on a song, generate ideas, and re-arrange it like five times, and I'm glad I take the time to do that, because I think my original songs come out better.
A lot of times I wind up playing songs like (Alice in Chains') "Down in a Hole" that make me scream at the top of my lungs if I want to get frustration out from a bad day.
I began dabbling in writing when I was 12, and there was never an official start to singing... I just sang my songs because there was no one else to sing them and no one told me to shut up!
I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.
The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody'd kicked open the door to your mind.
For me, once I count the band in, and I delve deep into my song, I feel a certain sort of integrity and integration that I rarely find in my daily life.
I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.