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Dweezil and I are going on tour with the band probably starting in the middle of February for a month probably playing a few songs from my new record and then I'll continue on after that tour
One of the things that I think is such a constant in country music is that the song is so much a story. I believe it is supposed to be based around a story.
Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose.
It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.
When people ask me why are you singing a drinking song if you don't drink anymore, because when I did drink I drank enough to sing drinking songs for the rest of my life!
A song is such a short form ... that 'the slightest flaw seems like a mountain.' And so every song needs to be revised 'til it's close to perfection... But achieving perfection takes a lot of energy.
In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religious training and or summer camp or whatever it was and you'd learn to sing a lot of songs.
I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.
There was a moment when Prince did rock & roll with a sponge-y seductive sound. I think that's what was in our head for 'Get On Your Boots.' But actually, the song is much more punk rock.
When you love a song so much you have to sing, you know how you feel - it releases something in you that resonates as true, whether it's James Brown or Joni Mitchell.
The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.
Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
In the modern operas that 'Miss Saigon' and 'Les Miz' are, nobody breaks out into song from conventional book dialogue. Everything is sung from beginning to end, including the recitative.
So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
If you are any competent musician, if you have creative ideas, ideas of songs, of arrangements, in a band like the Stones, where these 2 people do all the things, there is no freedom.