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When Bird came on the scene, it was just as shocking as in the Bible: everything was dark, and then the light appeared for the first time.
I was like, I can't believe I get to be in a scene with Meryl Streep [in Florence Foster Jenkins]! And then I was like, but why do I have to play Chopin? It's already going to be intimidating.
These 150-minute superhero films that Hollywood is making are so concerned with their length that each scene doesn't have the time it needs to make sense.
I view the art scene as an industry which is slowly developing. These days, technology has mad the world smaller. Meaning that information is a website away.
Look, this CPAC convention is increasingly the Star Wars bar scene of the conservative movement. All that’s missing from that convention is a couple of Wookies.
Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento.
When I still lived in Manhattan, people-watching was my hobby, and I spent many Sunday afternoons eating up the scene from a window seat at a Starbucks on Broadway.
I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.
The Vatican has always had a core of diplomats for centuries. It has ambassadors in 180 countries and always played a kind of behind-the-scene role in many world issues.
I can make a scene that's not supposed to be sexy, very sexy. It's a power you're born with. It's not a physical thing, it comes from inside. It's all in the eyes.
And soon a branch, part of a hidden scene,The leafy mind, that long was tightly furled,Will turn its private substance into green,And young shoots spread upon our inner world.
As we applaud the hard-edged realism of the opening battle scene of Saving Private Ryan, we cringe at the thought of seeing the same on the nightly news.We are told it would be pornographic.
I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.
I wasn't big in the party scene but I did have an excessive lifestyle. I had much more than I needed. I think that was a manifestation of a certain kind of mental illness.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
I've always listened to jazz or folk or blues. I was always listening to the prophets. I don't really go for...I don't know how to say anything about the singles scene without slamming people.
As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.
For me, that was a hard scene [in "Fences"] to do twenty-something times, which (laughing), I counted. That was difficult, but once I did it, I felt like I could do anything.
Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.
I am told that today rather more than 60 per cent of the men who go to the universities go on a Government grant. This is a new class that has entered upon the scene ... They are scum.