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Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
The ideas of right and wrong change with the experience of the race, and this change is wrought by the gradual ascertaining of consequences - of results.
At some level, you have to be able to say, "This is my task." It's in small, local ways that you keep yourself alive and refresh ideas that are always going into dead abstraction.
What we usually find is that when people think they have a new idea or approach something for the first time, it is actually a recurrence of a line of thinking explored in the past.
Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.
In India it is regarded as a good idea to dart in front of an oncoming car, for the car is sure to kill the evil spirits who are pursuing you, and all the rest of your life you will have good luck.
Magazines and advertising are flogging the idea that you have to keep changing things and get something new. I think that's balls - evil. But obviously that's your livelihood.
I walk alone in the darkness and wonder how a person would begin to determine the circumference of the earth. I have no idea. I’d probably just google it.
That odd idea that one person can go to a foreign part and in this rather odd voice describe it to the folks back home doesn't make much sense in the post-colonial world.
It's just kind of, we do a lot of songs when it's an artist of that magnitude, like Beyoncé. You're not sending her one song; you're sending her 20 ideas.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
Don't take yourself too seriously - learn to laugh. Hire slowly and fire fast. And the most important thing is: you never invest in ideas, only in people!
I wanted to be the writer in the room setting depth charges of feeling out the world with my language.You know, I had a very romantic idea about that.But I grew into being a performer.