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When I get to tell a story through music videos or TV, it's all about finding the story that I want to tell, so I'm definitely open to acting roles, it just depends on the story.
The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.
I'm not sure that you can say definitively that some roles are better filled by consultants, but I would say that some projects are better handled by consultants.
I think you can find yourself in life perhaps not really being the master of your own life and it is within your own will and tenacity whether you switch the roles or not.
It depends, because sometimes an action role can be very demanding, and sometimes a dialogue-driven character can be very demanding, and vice versa. It depends.
It's one of those things when you are in a role you have to do what they ask you to do. If they want me to come in and stick it in, I have to come in and stick it in.
First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent.
Everything happens for a reason, everything is part of a puzzle that, even at the time, if we don't understand the bigger picture, everything has significant role in what's to come in the future.
I have more artistic control in a smaller show. But it doesn't really matter. Sometimes you can have the smallest role in the smallest production and still make a big impact.
I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.
I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
Every actress has to face the facts there are younger, more beautiful girls right behind you. Once you've gone beyond the vanity of the business, you'll take on the tough roles.
If you allow failure to take on more of a role in your life than possible, then you'll always look at it on the defense and you'll always shoot yourself down before it even goes anywhere.
When the Hollywood thing happened, I thought at some point I'd get to the front of the queue: 'Yes, hello, I'd like to play that role.' But you don't. You just join a different queue.
The word griot...is the word for what I do and the role that the filmmaker has in society...the griot is a messenger of one's time, a visionary and the creator of the future.