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I think Daily Kos is a really great example of where it's really worked in terms of putting the opinions of a larger group of people forward. And Kos has obviously had a huge impact on politics.
I grew up in the home of a pastor, and my earliest memory is that God really had a plan for my life and that I was special - this is really weird - but I felt that.
It's really weird to be in more than one franchise because an actor's life is so nomadic, and so it's a real privilege to get back together with people.
A man really living alone (alone mentally as well as physically) would have little or no occasion to reflect upon his past experience to extract its net meaning.
Looking back, I have to say that I've been fortunate to work with a lot of great people. Unfortunately, a lot of them are gone. But I look back and, yeah, I have had a really great career!
Kind of the critical acclaim of this movie [La La Land] is that it's striking a chord with the public in a way that has been really beautiful and powerful.
In Japan they're definitely more over the top. They had four Boogie stacks and 20 guitars. But otherwise it's pretty much the same thing, except there's a translator. It's really nice.
Just ask yourself what record you played over and over again when you were depressed or what record made you really happy? Those will never change and you should never be embarrassed by it.
I love hipsters! Yes, I think they're hilarious. The really cute ones try to look ugly just to prove "I can't be ugly." Normcore was kind of funny too.
I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
I mostly make R-rated movies. To make a movie that one day if I have kids or my nephews want t watch, I can show them without being put in prison. It would be really nice.
I would rather portray the hero, if it's a really great film. All my favorite fictional film characters are heroes, such as in "The Last of the Mohicans" and "Robin Hood."
Minor magicians take pains to fit this traditional wizardly bill. By contrast, the really powerful magicians take pleasure in looking like accountants.
What I think is really interesting is to look at the culture of disruption and of world-changing in terms of what [Buckminster] Fuller was doing and to draw the contrast more than the similarity.
Everyone has the attitude that movies aren't just disposable entertainment - they can really mean something. I love that, because that's the way I feel about films.
The Hunger Games' for me is I love the books so much and the character and the story were incredible. That's kind of the game plan is just do really interesting stories with interesting characters.
It's hard to convince people when you haven't done anything that the things you're working on are worthy of spending their time and money on: like, "Oh man, I write really great songs, I promise!"
AMAZING GRACE is about the man who wrote "Amazing Grace," John Newton. It's a really great show - I have been workshopping it for a while now, actually.
The eco-movement is growing as people all over catch on to the need to protect our precious planet, which makes the future look really bright - and makes me really happy.
I remember the review from Michael Wilmington in Chicago, and Gene Siskel wrote really smart reviews where I thought, "Oh, they totally get what we're attempting to do."
An Oscar is a total honor. It's thrilling, and on the one hand, it means a lot of things, and on the other hand, it doesn't really mean anything. It's a moment in time.
[Payne] was a really great experience, and both John [ Larroquette] and JoBeth [Williams] over the years, it's been great reconnecting with them and working with them on other projects as well.
I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.
Hollywood is really weird to talk about in this monolithic sense because it's this microcosm of anywhere. It's full of a lot of people who have different intentions and different points of view.