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My hope in writing 'Lean In: Women, Work, and the Will to Lead' was to change the conversation from what women can't do to what we can.
No one, evidently, except me has found "No Alarms" poem ironical that an obsessive theme in my writing was - and has continued to be - not being able to write.
In recent poems, I have abandoned the theme of not being able to write for an even more obsessive subject, the nature of language, particularly English, in the formation of my imagination and being.
I had to do the academic writing. At a top research university, publishing of a certain kind is very important. So your friend is right. You can't do three things well.
There's a phrase in Shakespeare: he refers to it as the 'hidden imposthume', and this idea of a hidden swelling is seminal to cancer. But even in more contemporary writing it's called 'the big C'.
It's not really about confidence. It's just something that isn't really in the vocabulary of what goes on at work. The writers write and the actors act.
The nuts and bolts of shooting a film and writing a film are still really difficult. But what makes it easier is the fact that you know you're going to go to work with your best mate.
I couldn't understand why my productivity went down when I had deliberately made more time available to write. Then I realized it was because I wasn't flying as much.
I don't hire any companies or ask any of my friends to write reviews for me on Amazon when I have a book come out so they can drive up my ratings on Amazon. I don't have a publicist.
What is very troubling is that people who have tried to write literature, even, for example, proletarian writers, seem to write within the norms of the dominant class.