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You should just write the movie based on people you actually know and then just see who wants to play it. Cast the net.
I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.
You do it a day at a time. You just put your rejection slips in a shoebox and tell yourself one day you're going to autograph them and sell them at auction.
Write for the love of your art. Someplace down the road, the money, the fame, they'll come, but by that time you won't be thinking in terms of money or fame.
They change. They're different. There are no two alike, that's the miracle of it. But if they have something to teach the students. You can see them writing during the show.
My books arose from my own experience, when I sought guidance in practical leadership in my career. In sum, I strive to write the kind of book that I would find valuable in my own life.
We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.
A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.
I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.
I write down portions, maybe fragments, and perhaps an imperfect view of what Im hoping to write. Out of that, I keep trying to find exactly what I want.
But that isn't my life. I have said many times I don't want to be considered one who once flew fighters. That's not who I am. I devoted the subsequent 50 years - more - to writing.
But it's only after you've played it on the road 20 or 30 times that it becomes really finished and polished...and you realize what it means, and you get the phrasing right.
I can only write one novel at a time. The author of the Perry Mason novels, Erle Stanley Gardner, often worked on four novels simultaneously, and produced a million words a year. I'm envious.
I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."
I've been told by people who write historical novels that you just sort of write the emotional truth first, the story at the core, and then you go back and research it at the end.