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My husband has no desire to work with me. He gets paid a lot of money to write giant movies. He's not into humoring me with my projects.
I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.
We can never know that a piece of writing is bad unless we have begun by trying to read it as if it was very good and ended by discovering that we were paying the author an undeserved compliment.
The change which the writing wrought in me (and of which I did not write) was only a beginning; only to prepare me for the gods' surgery. They used my own pen to probe my wound.
I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer.
People put off writing thinking they don't have the time or enough of an opinion to matter and that is crap. You are the only one standing in your own way, so get started.
I had given up on being beautiful. But I thought I could kind of inspire boys to write songs about me. So I became a music journalist at the age of 16.
You should write, write, write every day, and learn to edit and pare it right back so you're proud of every sentence, and each one is either being useful or beautiful, but hopefully both.
The problem is when you write the album, you record all the instruments, you edit the whole thing and then you have to mix it. You start to get out of touch with the songs and it becomes math.
We have a lot of women on the staff, obviously. It's a predominantly female writing staff and we hire the best people. It's not like we go we need more women or we need four women directing.
What you believe one day isn't what you believe the next day and I think every writer secretly believes that they may never be able to do write good song or script again, but they can.
You just never know if people out there will relate to things when you write them; it matters to you, and to some people it doesn't. Some people are 'I'm not in the mood for that; thanks.'
I tend to write poetry that is rich in data of various sorts. The lyric poem isn't perfectly suited to accommodating such data, so I've had to find new ways to say everything that I want to say.
We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.
My childhood was surrounded by books and writing. From a very early age I was fascinated by storytelling, by the printed word, by language, by ideas. So I would seek them out.
Literature has low enough standards. But we can avoid writing the worst literature if we make ourselves ask ourselves, every two or three sentences we write, 'Is that what I really think?'