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I like writing on piano and a computer, and a lot of 'Plans' came out of samples and vocal lines.
For a man to write well, there are required three necessaries: to read the best authors, observe the best speakers, and much exercise of his own style.
I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
Most of us start from that position of irony now and what I wanted to do - really felt like I had to do if I was going to write another novel - was move towards something like sincerity.
I work a lot in the summers. My family goes to Maine, where we have a little house. My wife's a writer, too, and we can write for six hours a day and then play with the kids.
To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don't feel that that's natural to other art forms in the same way.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
If you are working in an office, where do you find the time to write a novel? But you can finish a short story in five pages. Furthermore, a short story is a perfect place to learn the craft
I agree that there are some bad apples on Wall Street. I spent about ten years exposing corporate and financial fraud for 'Barron's' magazine and I found a lot to write about.
It's what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I'm about.
Writing in French is one of my ambitions. I'd like to be able to dream one day in French. Italian and French are the two languages that I'd like to know.
I know as well as thee that I am no poet born It is a trade, I never learnt nor indeed could learn If I make verses-'tis in spite Of nature and my stars I write.
Horror writers can write about everything in the real world that a mainstream novelist can--plus the supernatural, which is the most fertile field for metaphor imaginable.
I write horror because I enjoy it. I'm endlessly fascinated by the supernatural, by death, by darkness. And, to be honest, I don't have much choice. This is the way my mind works.
You write by sitting down and writing. There's no particular time or place—you suit yourself, your nature. How one works, assuming he's disciplined, doesn't matter.
I wasn't disciplined at all. As good of an athlete as I was, I was not disciplined. Had I had the drive that I have in comedy, and acting, and writing, that's why I knew it just wasn't right for me.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
But when I got to SMU and decided to take a playwriting class, I said this isn't a bad idea. IfI write characters, they could be as dumb as me, and I don't have to be very smart.
When I first started writing, a friend said I should be careful because I'm letting people know how to reach right in and play with my workings. And they do!
It's scary when you get to a point where you write these songs that people like, and then you think, "Am I ever going to be able to write something better than that?"