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Those who talk of the bible as a monument of English prose are merely admiring it as a monument over the grave of Christianity.
There are lots of guys out there who write a better prose line than I do and who have a better understanding of what people are really like and what humanity is supposed to mean - hell, I know that.
I often say that Bernhard, W.G. Sebald, and Javier Marías are my stylistic holy trinity, prose writers who amaze me with their notation of consciousness and voice.
When I feel something very intensely or deeply or personally, I can go to extremes of self-expression or self-analysis by writing a poem - more than I can just talking to somebody or writing prose.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
What I'm constantly striving for in my prose is clarity. So that, ideally, the writing will become so transparent that the reader will forget that the medium of communication is language.
When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
I am a big fan of Dos Passos' stylistic ability, his poetic approach to prose, but the ideas presented in the songs are quite different from those which he exemplified.
Writing anything is terribly hard but, alas for me, because I am addicted, a heck of a lot of fun. I often am sorry I ever started writing prose, because it is so hard. But I can't stop.
Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way. Harvey's taut plot, snappy prose, and memorable characters make this debut novel a real winner.
There's a perception that good writing is writing which runs smoothly. But smooth-running prose can work against what you're trying to express in a novel.
Maggie Shipstead's prose is so graceful and muscular, so dazzling, so sure-handed and fearless, that at times I had to remind myself to breathe. Astonish Me is a treasure of small surprises.
I like a great degree of compression. I like to mix lateral steps with forward ones. I don't want the prose ever to feel simply functional - at least not for any stretch.
I never wrote poetry, just prose. I don't really consider songwriting a form of poetry either. The words are important, of course, but they're dependent on the music.