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We overthrew the feudal system in the 1600s, and the theocracy in the 1700s. But currently, corporations play similar roles in many of our lives, either directly or indirectly.
In the printed page the only real things are the paper and the ink; the white spaces play the same part in aiding the eye to take in the meaning of the print as do the black letters.
There are two paths people can take. They can either play now and pay later, or pay now and play later. Regardless of the choice, one thing is certain. Life will demand a payment.
For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.
I believe that the school must represent present life - life as real and vital to the child as that which he carries on in the home, in the neighborhood, or on the play-ground.
Despite the never ending play of conscious correction and instruction, the surrounding atmosphere and spirit is in the end the chief agent in forming manners.
Over the years, autism has almost been a diagnosis in the eye of the beholder, which allows for all kinds of arguments and dissension and theories and competing therapies to come into play.
[T]he Famous Rules which the French call, Des Trois Unitez , or, The Three Unities, which ought to be observ'd in every Regular Play; namely, of Time, Place, and Action.
There is nothing, I think, more unfortunate than to have soft, chubby, fat-looking children who go to watch their school play basketball every Saturday and regard that as their weeks exercise.
Have you heard Alanis Morisette trying to play the harmonica? She doesn't know how to play the harmonica. Well guess what, Alanis, I INVENTED the 'don't-know-how-to-play-harmonica-harmonica-solo.'
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
She waited for me to play out the string, to find the place where she had stopped and was waiting for me, to follow the breadcrumb tail until it dead-ended into her.
Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
Oh god, I'd just hate it if a certain dramaturg got a hold of a Pinter play, for example, which are all mystery and all music. That's how the life get's sucked out of plays.
I think that some of these plays are lost in this new horror called development, which is a place for dramaturgs to say "let me tell you what your play means," and the life gets sucked out of a play.
People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
I was always fascinated with the way that things pop on the Internet - the ways you build communities and create little stories and ideas that people play around with and send back to you.
If you put on an Oscar Wilde [play], it will interest those who are interested in Oscar Wilde. But it won't interest anybody else, because they won't get that wit.
In the States it's more and more difficult to get an independent film off the ground, and you certainly wont get the opportunity to play something like that in a studio movie.
In the end it is the musician who actually plays the notes. The impresario - or the project leader - is only there to make sure that happens. That is a very different type of management mind-set.
Performers may play in the studio, but they need to go out and tour every once in a while to keep their edge, or a performer who is a stranger may be asked to "sit in" on a set.