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I played it for my bride, and one day you will play for yours.
I love, love, love music - have since I was a kid, and I'm still really into music - and I became a singer because I was too stupid to learn how to play an instrument, I guess.
It's part of my job. You can't play Veronica Guerin sounding like this. It just wouldn't wash. But what I find fascinating about doing an accent - unless it's a farce - is that it's not slapped on.
You have to be able to play: this is spontaneous interaction, and it flexes all the creative muscles you need as a writer. And empathy is one of those muscles.
If, instead of playing the horses, an individual chooses to play the market, that is his own affair. Only he must understand that speculating in stocks is gambling, not investing.
That's where the challenge has been. Balancing football and life. Trying not to replay every play in my head while I'm with my family. Sometimes, I've done it well. Other times, I haven't.
Some teachers had been trained to work out at Southern because I carried two out there. I carried a lady down here from Palmer's Crossing, used to play piano, and Billy Carter.
I had to work harder. I couldn't do the social thing, and play the game the others were playing. I had to work that much harder and handle the 'evils' by doing good work.
If you play it safe, middle of the road with all the right notes, you might win. If you are unique and have too much personality, you might easily score a '0' in competition.
When we first started playing we did a lot of rehearsing. We used to write out everything. In fact, that's the way everybody rehearses: we play the tunes and improvise.
You have to be able to feel like you can play way outside of the box. If you're with a great filmmaker and someone you can trust, that's encouraged, and Seth was that kind of filmmaker and co-star.
It's like you're organically developing yourself, moving out, metamorphosing into other forms depending on where you are, what you're doing at the time, how you want to play on things.