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I love painting. As far as photography is concerned, I understand nothing.
Arts is like the power of now. When you're performing, when you're playing, when you're sculpting, painting, it's that moment. I'm in the moment of my life, and that's what I love to do.
For me, my 20s were all about reaching for the brass ring of work in theater, television, and film, surviving in between by waiting tables, painting houses, serving coffee, and temping.
My paintings at their best take that vocabulary and attempt to transpose that into a form that gives respect not only to the history of painting but also to those people who look and sound like me.
I like to play with the conventions around what we expect of paintings historically. But I also like to play with the conventions that you expect from a Kehinde Wiley painting, too.
I'm a creative person and I use painting, acting, writing, writing songs, or whatever, as tools to just get a point across, in order to communicate a story or an emotion.
I sometimes set myself thinking and imagining that I find amongst men but one single art or science, and that is drawing or painting, all others being members proceeding therefrom.
I liked English and art and did a lot of painting. And for some reason I was good at math, but I wasn't an A student. I really had to work hard to get good grades.
When you're a kid and someone's an artist, you think of Leonardo da Vinci. You don't think that's a job; you just think of a man with a beard painting the ceiling of the Sistine Chapel.
Picasso had nicknamed Georges Braque "Wilbur," thereby becoming "Orville" in their Wright Brothers-like ambition to get painting off the ground of conventional representation.
What is the use of good painting? We want a spell cast upon the optical part of our existence! We seldom really see the world, but when we do, we become as still as a picture.
I gave up language for a while, and I started painting.And then I only listened to Miles Davis and other instrumental music to see how it felt to be without words.
It is to be remembered that the origin of all the arts-music, painting and writing-is magical and evocative; and that magic is always used to obtain some definite result.
My painting teacher in high school used to say, 'I can't paint like I want to, but through practice I'll get better.' But I don't think that's true. I think sometimes you just can't paint.
A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.
I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.