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I like radically cutting into the painting, inserting these paper birds, and then trying to figure out how to believe in it.
Milos said, You're my first choice. From my point of view, that doesn't pay the rent. I said, Tell me what I have to do next because I'm busy painting my kitchen.
My method is subtraction. I use erasers to make the images in my paintings. You really have to see it to fully get it, but it is basically erasing shapes from a background of paint.
I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
I love painting still lifes because there's a feeling of musical, flowing experience. The drawing doesn't matter as much - what you're really after is a feeling of clarity and beauty.
Whenever I got a new studio I made the largest possible painting, and since the ceiling was low, the painting became horizontal. As I changed studios and got larger spaces, I made bigger paintings.
Used to be, conservatives revered the Average American, that Norman Rockwell oil painting of diner food, humble faith, honest toil, and Capraesque virtue.
I have tried to draw the human effigy (and all the other subjects dealt with in my paintings) in an immediate and effective way without any reference to the aesthetic.
In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil.
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.
I graduated from college with a 3.92 GPA with a degree in computer programming and a BFA in fine arts and animation. My first job was painting a mural in the Grimaldis in Queens.
I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.
The scope of art is practically boundless; it does not begin and end with the painting of pictures and the modeling of statues; where there is room for workmanship there is room for it.
You know exactly what I think of photography. I would like to see it make people despise painting until something else will make photography unbearable. (In a letter to Alfred Stieglitz)
There is a definite moment when a work congeals and crystallizes. Once I am finished with a painting, I am happy to send it off into the world so I can get to work on the next one.
There is much virtue in a window. It is to a human being as a frame is to a painting, as a proscenium to a play, as 'form' to literature. It strongly defines its content.
Braque always said that the only thing that counts, in painting, is the intention, and it's true. What counts is what one wants to do, and not what one does. That's what's important.