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Looking back, I wish I could bottle the stuff that made it better, but how can one bottle time?
I was about 14, and my friend's stepdad asked me to do a 10K with him because his son - who was more into basketball - didn't want to. It was amazing, and I still remember the time I got: 48:23.
Nothing in the fact that there was a first moment in time necessitates that an external something is required to bring the universe about at that moment.
I don't want to do something unproductive with my time, so I decided to do something musical. So it felt good to say, 'Yeah, I'm producing.' It gave me a fresh vibe - inspiring in a different way.
I can't say L'Etranger influenced me to write, but for the first time I considered the possibility of telling a story that resembled my own experiences in my own voice.
We went through a hard time, and we had to turn to music as a means to putting food on the table. And we've been doing it ever since. No regrets either.
I do agree to a certain extent that it is unfortunate that I have to be a little more aware of being a kid and growing up and figuring out who I am, but at the same time, it's part of what I love.
Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.
Every one has time if he likes. Business runs after nobody: people cling to it of their own free will and think that to be busy is a proof of happiness.
Nemo tam divos habuit faventes, Crastinum ut possit sibi polliceri. Nobody has ever found the gods so much his friends that he can promise himself another day.
Life is divided into three periods: that which has been, that which is, that which will be. Of these the present is short, the future is doubtful, the past is certain.
I was talking to my mom one time, like, "Gosh, I'm 30." And she's like, "In your thirties you're even stronger than in your twenties." I didn't believe her, but I have played better in my thirties.
I got involved in the design process a long time ago. I've been working with their main designer [Berlei] for a while. It's been really fun all around.
There is no abstract Evil; you have to understand that! Its roots are here, all around us, in this herd that goes on chewing and having a good time only an hour after a murder!
If a director takes the time to document - to step back to observe - I think it I more honest. Because it has to be the public that makes the conclusions and who, possibly, resolves the situation.