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Otherwise, everything got better and better, just one surprise after another. And that's why I wrote the book about a matter of being in the right place at the right time, and just luck.
You never forget where you were when you write a song; it's a very proper memory, so I knew exactly where I was and what I was doing for each track. It was like going into a time machine.
We live in a very inspirational point in time. Things are progressing faster and further than ever before. What inspires me most is the world we live in adapting at such a rapid rate.
A man once asked Diogenes what was the proper time for supper, and he made answer, "If you are a rich man, whenever you please; and if you are a poor man, whenever you can.
Every time we buy a CD or download a song, the artist is paid for their work. You might not know that this isn't the case when a musician's work is played on the radio.
Every time I'm in a foreign place and a different city, I'm always asking around to say, OK, well, what's special here in this particular place? What makes these people move here and why?
I was asked to do TV ads for Macintosh. Nowadays, I think anybody would jump at that but, at the time, it didn't feel appropriate for what I was trying to stand for.
I felt like on one hand the clarity of thought was amazing, but on the other we went during Antarctic summer, so the sun didn't set the whole time we were there.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
I wear wigs all the time on shows, and every day when I'm in public, at Dollywood. People say, 'How many wigs do you have?' And I say, 'Well, at least 365 because I wear at least one a day.'
I'm not like a real person. I love being artificial. I think there's a little magic in the fact that I'm so totally real, but look so artificial at the same time.
Sometimes I start with a great title or idea, sometimes a great melody will run through my mind; but the higher percentage of the time, the words and music pretty much come at the same time.
In my career, whether it's a big or a small movie, when I've worked on something for a long time, like [Ivan] Drago in Rocky IV, they start to take on a life of their own.
You really have to work hard to create a three-dimensional character. You have to rehearse and explore and take your time. You can't just memorize your lines and do it on the fly.
I remember, as a young man, wanting to experience a car going at those speeds and being visually nourished by something which I loved so much. And I wanted to race fast cars and have a good time.
In my very first interview, at nine years old, I said I wanted to be an Olympic gold medalist. That was the first time I said it out loud in front of somebody other than my parents.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
I am suggesting that we can and do regain eternity when we are so immersed in life, in moral action, or in aesthetic contemplation, that we completely forget about time and anxiety.