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The best gardener is a baby killer. Baby insects are much easier to kill than adults, and haven't yet developed the big mouths and voracious appetite of the adolescent.
I think kids like chaos, in an interesting way. I think kids like to push buttons in adults. They like to antagonize and cause trouble. I think it's the kid-like spirit that kids respond to.
This is a magical and inspiring metaphor through which adult readers will identify anger issues and discover practical methods to energize enduring change.
Now I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that, otherwise you end up preaching down.
Wipeout is a giant obstacle course for adults of all shapes, sizes, and ages. Whoever wins takes home $50,000 and gets to brag to all of their coworkers that they made it out alive!
I've met Jon Glaser who has a show on Adult Swim call Delocated and he's the main writer we hired for the show. That's really my brand of humor, I would say.
Adults don't get nearly the attention and support the kids do, maybe because they're not as cute or because people forget that autism is lifelong. But it is.
Social interactions can be enormously challenging for people on the spectrum. That's part of the reason that unemployment among autistic adults hovers near 80 percent.
I would visit Vegas every year when I was a kid. Vegas, to a kid, is a playground, as much as it is to adults. I discovered the magic store in a hotel and would spend hours and hours in there.
I think teenagers bring a lot of intellectual sophistication. They're wrestling with big questions. It's just that, a lot of times they do that separately from adults.
When I wrote 'Marley & Me,' I had a clear audience in mind. And it did not include children. I wrote my book for adults and assumed only adults, and possibly teenagers, would be drawn to it.
I have always believed that, in a story, if something traumatic or calamitous enough happens to a kid at a formative age, that will make him or her the adult they become.
I understand that I have become a liability to the very institutions and policies to which I have dedicated my career and, indeed, my entire adult life.
In the old days, you became an adult when suddenly your life went from learning to doing the same thing for the rest of your life, but today you can't afford to do that.
When you're a kid going on being an adult, everything radiates so deeply and resonates so passionately, and I like the opportunity to tell those stories.
I'd say that kids working on sets, even if it's Bambi, need to be allowed to be kids, even if they're working, not become little adults - that to me can be distorting to kids as an experience.
I remember Gale Gordon was in the pilot [of Hi Honey, I'm Home], and it was one of my very first professional gigs without having an adult take me to the job.
It was funny, Skip thought, how much attention children demanded the first few years of their lives and how hard adults strove ever after to get their attention.