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On Eye of the Zombie, I had so-called studio musicians.
Companies have to take risks to get new knowledge, in a manner similar to how jazz musicians take risks when they go after a new approach to a tune or a performance.
In the end it is the musician who actually plays the notes. The impresario - or the project leader - is only there to make sure that happens. That is a very different type of management mind-set.
The so-called alleged 'art' of the video - well, the video has killed the radio star, but the video star killed the live musician, et cetera, et cetera, et cetera.
First of all I think that is true, if you are a musician, particularly on the comeback that you do have to end up in one of these musical centers somewhere to be viable, salable and so on.
I really had a great time working with Modest Mouse, just because of the people. I loved writing songs with Isaac Brock, and Jeremiah Green is probably my favorite musician that I've worked with.
It was so much fun conducting an orchestra and watching the musicians' faces as some of Kanye's lyrics went by. They couldn't believe what was going on.
I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments.
I just like dealing with scientists for awhile and then going over and dealing with musicians for awhile. They both have qualities that kind of counterbalance each other.
I think you have to know exactly what you want. Whether you want to be a guitar player or a musician, you have to be really focused on it if you really want to do it.
For me, the difference between a musician reading an arrangement on a piece of paper, and them closing their eyes and listening to what's happening around them and responding to it, is huge.
The painter paints, the musician makes music, the novelist writes novels. But I believe that we all have some influence, not because of the fact that one is an artist, but because we are citizens.
As a musician, you write and make music as you go. It's definitely in a great sequence. When you release songs, you think, "Let me make sure this goes with this so it's like a story."
I wasn't making music consciously when I was younger. I was a musician, but that has its own stigmas. Anywhere on the planet, it's one of the more undervalued positions.
If I was not a film-maker I'd probably be a musician. I like Kanye West, Jay-Z, R&B, classical, jazz and all kinds of music, but I'd say soulful World Music is my favorite.
And I think that's why I was going to be a musician. I was very rebellious. And I didn't want to be an actor. My father used to say to me you should be an actor if you want to be in the arts.
People expect you to be this weird cartoon sometimes when you're a musician. I hate that. I hate standing out. I hate people looking at me. I just want to be part of the crowd.
I realized that improvisers should probably always have time off. But musicians are always gigging and never have a chance to stop for a minute - unless something drastic occurs.
I've dated a couple of guys who were awesome, and the celebrity part of my life and the traveling part are hard to get around. You never get to see each other, especially if you're both musicians.
THE GODS was my first professional band and I learned a lot during that time. It was very cool playing with so many great musicians as it helped me to learn.