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When I want 30 musicians in the orchestra, I get 30.
Somebody might get criticized for doing some movie that totally sucks, then turn around and be incredible. Every actor goes through that, not just musicians who act.
I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.
I don't really have any "must work withs," but I would never refuse if a celebrity or fellow musician came along who is willing to write or sing or play on a Lita song.
Strangely enough, through all those school years I decided at 13 or 14 I was going to be a musician and so school was just something to get out of the way, a waste of time and not to bother with it.
It's always surprised me that mainstream America had the good taste to like R.E.M. It doesn't have the digestible quality the general public tends to look for in its favorite musicians.
I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.
Some of the freshest, most compelling, and most soulful music I have heard recently. Bob Reynolds is an amazing musician, with something very exciting and original to say.
Every orchestra is different. Sometimes, you're blown away by a particular musician. If I'm playing the Brahms concerto, it's crucial to have a great oboe player, because we work in tandem.
Growing up listening to rap music, you almost feel like you should have haters. That's an important part of being a successful musician. It's a good thing, I guess.
If you are any competent musician, if you have creative ideas, ideas of songs, of arrangements, in a band like the Stones, where these 2 people do all the things, there is no freedom.
We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.
I like musicians who look at the public. You have to bring the music to the largest number. Otherwise, we'll [the Jazz players] stay in the clubs. Jazz must be accessible to everyone.
I'm a keen musician. Me and my mates have a great times jamming and recording stuff. We have a great band behind us and have turned my nursery-rhyme songs into quite credible pieces of music.
When I was 19, I made my first good week's pay as a club musician. It was enough money for me to quit my job at the factory and still pay the rent and buy some food. I freaked.
If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.