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I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
I was fortunate enough to be raised in a, in a very romantic time in terms of music, and the music itself simple reflected the much more romantic time.
Of course, there are many, many musicians whose music gives me pleasure, but until I make contact with them, musically or personally, I never assume that anything wonderful will happen.
When I left South Africa in 1960 I was 20 years old. I wanted to try to get an education, and music education was not available for me in South Africa.
I'm not a singer, a walking instrument like Aretha Franklin. When you get an Iggy Pop record, you don't get "Iggy Sings." I am also a style of music, an approach.
The further one separates himself from the precepts of the Christian Church, the further one distances himself from the truth. Only God can create. I make music from music.
When composing music, I just start spilling things out and then wait until they take form, you know what I mean, until I see like a common thread or something.
Apart from two periods of intense study, of music between the ages of 12 and 14 and of mathematics between the ages of 14 and 16, I coasted, daydreaming, through most of my school years.
Art itself, in all its methods, is the child of religion. The highest and best works in architecture, sculpture and painting, poetry and music, have been born out of the religion of Nature.
I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.
Out of all of the stuff I have done in my whole 12 years, the Mistress series I and II are the most enjoyable processes I've ever been through and definitely, I'm most proud of that music.
Enough of clouds, waves, aquariums, water-sprites and nocturnal scents; what we need is music of the earth, everyday music..music one can live in like a house.
There was mass hysteria in the Chess Recording Studio when I did the "Shapes of Things" solo ... they weren't expecting it, and it was just some weird mist coming from the East out of an amp.
Frank was the BOSS and was not open to anything that was not from his head. There were no arguments about music because if you did, he would show you where the door was. Period.
There's music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you're playing it or you're receptive, as an audience.
The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.
Well, I'll tell you, I don't know how aware teenagers are of me. I think it really depends on the teenager and how well-versed in music they are and what kind of music they like.
I have a theory - if the music is good and you have good musicians, the name doesn't matter that much. There are a lot of examples of that. The name is just a calling card.
God is its author, and not man; he laid The key-note of all harmonies; he planned All perfect combinations, and he made Us so that we could hear and understand.